PPI Skin Illustrator Fleshtone Palette-  is the first palette I ever used and the colours are now industry standard. This palette has both warming/cooling adjusters ideal for fine tuning a skin tone mix.  Rice Paper, can be used as a warm white to lighten up, or on its own to match the skin. Natural 1 and 2 as the basis for most Caucasian tones and have a slight yellow tinge.
£83.75

PPI Skin Illustrator Fleshtone Palette

PPI Skin Illustrator Fleshtone Palette-  is the first palette I ever used and the colours are now industry standard. This palette has both warming/cooling adjusters ideal for fine tuning a skin tone mix.

Rice Paper, can be used as a warm white to lighten up, or on its own to match the skin. Natural 1 and 2 as the basis for most Caucasian tones and have a slight yellow tinge. To warm these up, add a little Coral Adjuster or Rose Adjuster - this colour is great for blood tone. If you need to cool the tone, add a little Olive Adjuster or Vein Tone.
Lao 1 and 2 are the basis for yellow undertoned subjects. . To make your colour more beige, add Vein Tone. To make your colour more olive, add Olive Adjuster 2, and to add a touch of golden quality, use the Coral Adjuster. Cedar Brown is a warm yellow based brown brilliant for tanning upu.

All of the colour adjusters have been formulated to intermix with the flesh tones. Also available in a smaller size, Skin Illustrator On Set Flesh tone Palette.

You can use Skin Illustrator Activator, Skin Illustrator Slow Activator, or 99% alcohol to activate the color pigment.

Remove using Telesis Super Solv, Pro Clean or Mouldlife Cosmetic Tonic.